Step-by-step

Ok so people often ask 'how do you work - what's your painting process?' (Ok so not that often really but there has been the odd occasion.... honestly) Anyhoo, so for those few who might be interested, here's some step-by-step photos I took when creating a spread for Cub's First Winter

So first I start with a pencil rough which I often draw smaller than the final piece. I scan it in, play around with it in Photoshop if need be, then email it to the client and when it's approved print it out. I only have an A4 printer though so I print it out in 3 sections. You'll notice that in many cases I don't have the right equipment and just busk it...
Then I trace it onto Daler-Rowney acrylic paper... people who do things properly use a light box for this. I either use my glass desk with a lamp underneath it or hold it up against a window - although this last method can involve extreme arm pain but hey, you've gotta suffer for your art man...


Then, after staring at the blank page for some hours full of panicky self-doubt and fear of ballsing it all up big-style, I start blocking in some background colour - I use cheap and cheerful Galeria System 3 Acrylic paint...

... once I've got the sky sorted I start working on the next things in the foreground - in this case the trees and keep adding layers of paint...

(I also start to think 'oh crikey this looks terrible should I start again?' and have to remind myself they all start looking like this and just plough on...)


It's easy to keep adding layers of paint until you totally loose the line of your foreground characters so at this point I white them out...

Then I start to block in some colour and highlights to the foreground characters and some extra shading and shadows to the background. Bored yet? Feel free to leave, I won't be offended.

It's normally at this point that someone walks in, takes one dismissive look at the painting which frankly looks appalling at this stage and says 'Oh that's lovely' with a slightly perplexed and patronizing look on their face. At which point I'm likely to overreact and scream 'No it's not! It's not finished yet you IMBECILE'




Now it's time for the foreground details - the leaves and tree in this case, and I start to add some fur-like brush strokes to my little foxes.


More fur is added....more paint layers...you get the idea....


And finally the finishing touches and details - including an owl in the background overseeing the proceedings.




So there you have it. It's a bit hap-hazard, a bit messy, a bit angsty but we get there in the end.

Fin.

Exhibition time!! - Come and have a look...

Cobwebs, Saffron Walden and twits.

Helloooooo, is anybody still here.....

I can only apologise for the extremely rude and entirely massive pause twixt this post and the last - I know you've all been sitting on the edge of your seat in anticipation for months and are probably now wasting away and covered in cobwebs but there you go. There's nothing I can do about it now. Get over it.

So the exhibition has both been and indeed gone and was a bit of a success really - lots of people, lots of sales, lots of fun - here's some pictorial evidence:



And I've also visited a ton of lovely schools which looked something like this:



And I've also finished Zoo Girl and have written a couple of new books which are currently in the wise and all-powerful hands of several big publishers so fingers and everything that can be crossed are, indeed, crossed.

Another exhibition is about to start up at Saffron Walden Library and will run from Monday 1st Feb to Saturday 26th so if you find yourself in the area do pop in.

Oh and Christmas happened at some point.


And finally I have at last made my first steps into Twitterdom - come and sniff me out at: http://twitter.com/#!/BecElliott

That's it for now. It's been fun. I've missed you.

Exhibition time!!

Yipee!! My Exhibition is on now!!!!!! Come and see me and fellow illustrator Cee Biscoe at Gallery 47 in Sudbury - we'll be there all week 10am-4pm until next Tuesday. The first two days have gone swimmingly with lots of browsers, lots of purchases and lots of delightful younglings drawing pictures of their own, and being read to by our good selves so come and join the party.

All of the following ORIGINAL book illustrations are on sale:





xx

Tree dwelling, pre-exhibition anxiety and the Schofield saga.

I've visited 2 schools and 1 nursery this week reading my books, showing some paintings and doing some drawings for some younglings and it's all been rather fabulous and has left me with a smug warm glow. Highlights include a 5 year old boy's answer to the question 'does anyone know what an Author is?' 'Is it someone who lives in a tree?' and when asking the kids for their favourite animals for me to draw being met with the rather bewildering suggestions of 'Oryx', 'Mammoth' and 'Sonic'.


Otherwise I've been all about my upcoming exhibition and good crikey it's a lot of work - I still need to frame 26 paintings, sort out and mount some prints, arrange painting insurance, price everything up, send out invites and psych myself up for the possibility that noone will actually attend. And ...aghhhh it's in less than 2 weeks!
A-hem, should be fun though so PLEASE come along!
And then there's the new book I've been writing called 'Jungle Mumble' - check out the cover here:


And all the while I should be working on Zoo Girl, a sleeping beauty book, plus a set of monkey books... problem is how to prioritise when everything's a priority? My natural inclination is to crawl into a bloggy hole and do nothing except panic a little bit but I fear that may not help.


Oh and my book Just Because is up for the People's Book Prize so please, pretty please, with bells and knobs on, go and vote for the little fella here.

Still no news on the whole Philip Schofield This Morning thang by the way - I think he's snubbing me. Come on Phil, sort it out, what's past is past, lets all move on.

Foxes, child-geniuses and tough words.

Ok so I've had an article printed in The Independent this week and I might be going on This Morning soon because of it (much to the jealousy of many of my peers who have all made it obscenely apparent that they fancy the 'silver fox' that is Philip Schofield), and my books have had various lovely reviews here, here and here;

but you know what? The most exciting response to my book has been the following review which was sent to me from an 11 year old girl called Megan who has a disabled brother, and quite frankly, it's excellent;

‘Just Because’
A Short Review by Megan

Hi, my name is Megan. I have a brother called Joe who is a bit like Clemmie, the little girl in the book, as he can’t speak and can’t walk very much. I love the part that says some sisters can be mean. They scream and shout pull your hair because that’s what my brother does to me. Sometimes he bites me because he can’t talk and he gets frustrated. Like Clemmie, my brother has been to the moon is a space ship made out of an old cardboard box. I especially liked the part about Simon the pet bug because my brother likes looking at bugs and touching them, err! My favourite parts of the book are the beautiful illustrations of Clemmie and her brother, and the adventures they go on.

I think the book is really magical and is essential for any big sisters with a brother like mine or a sister like Clemmie. This book will definitely be added to the collection of books I read to my brother before he goes to sleep at night.

I think the book is brilliant ‘just because…’.

See, I told you.

Oh and in worky news I've been working on Zoo Girl which is about a girl who gets abandoned in a zoo and then adopted - and although the book is only 14 words long it's the hardest text I've ever worked on, dang it.













That's it for now. See you soon. Take care now.

Aliens, fishmongering and swine wisdom

I'm back! And the Greenbelt workshoppy thang went swimmingly with over 50 people there and in 2 hours we created a fabulous picture book called 'A Small Alien at Greenbelt' - here's a few spreads from the book and pics of me in standard festival-issue wellies:





And in other news - here's the thing, all this getting out there amongst the people and promoting my own goods is all fabtaculous and all that but people are so damned nice and, as it happens, I really don't know how to cope with compliments. I wish I did - I wish I were the kind of woman who takes a compliment graciously in her stride with a charming self-deprecating yet knowing smile and nod of the head, perhaps even a gentle touch of the complimentor's arm and a heartfelt 'thank you'. No, instead I get terribly self conscious, shuffley of feet and avoidy of all eye contact and in a desperate attempt not to reveal any inadvertent arrogance I tend to shake my head wildly and insist that the complimentor is utterly and ridiculously wrong to the point of insanity and whilst it's meant as a playful tap on the arm it usually comes across as if I am then striking them in punishment for their lack of artistic judgment and sheer imbecility. If they started the meeting thinking I was worthy of a compliment they certainly leave thinking otherwise. I'll work on it. Next time I'll just say, 'yes I am rather brilliant aren't I?' And offer them my hand to kiss.

And this is all only because my chosen career is a public one - one which begs to be seen - and therefore acknowledged - if other people could be more publicly seen in their nursing/teaching/cleaning/policing/admining/construction workering/fishmongering roles they too would face uncomfortable compliments more often.


And now for my quote of the week (ok so this is new but i thought i'd just sneak it past you)which comes from one of my husband's many doppelgangers Daddy Pig when Peppa asks what he does for a living:
"I take big numbers and transmute them to calculate their load-bearing tangents"
Classic.